Sheep huddle together in the middle of an off beaten pathway in Büyükada, Princes Islands, Turkey. The reason for their behaviour could be to cool off from the heat.
A Dalmatian dog sneakily cocks it’s leg in front of an antique store in Kadikoy, Istanbul. The district is well known for its quirky antique stores and bric-a-brac shops waiting to be explored.
Jonathon Will, Tony Blood, Laura Moseley and Angelika Molek have used the photography and artistic skills developed during the course of their degree to create reponses to the themes of Landscape, People, Art and Industry. Four very different series of images emerges focusing on the post industrial communities and landscapes of the Black Country, to the new and emerging nascent possibilities of the present showing local people making their lives and living in the Black Country, now.
Four different types of work and approaches to the themes are on show. Jon Wills transforms images of industry and individuals in to intriguing montages which merge the people and their place of work; Tony Blood and Angelica Molek use a more traditional documentary approach to show work and living in the region, whilst Laura Moseley’s images are close observations of the interaction of people and the landscape they inhabit. David Shepherd, a previous graduate from the university, has done a fantastic job of co-ordinating the exhibitions.
The graduates work is on display at The School of Art and Design, Wolverhampton in the Bessant Gallery from 1 September to 31 October and is open to the public from 9.00 am to 5.00 pm. You can see the work on a larger scale, bringing art to the masses, in Dudley Street, Wolverhampton from September to December 2014.
Casa Rocca Piccola is a 16th-century palace in Malta, and home of the noble de Piro family. It is situated in Valletta, the capital city of Malta. There are daily tours. The history of Casa Rocca Piccola goes back over 400 years to an era in which the Knights of St John, having successfully fought off the invading Turks in 1565, decided to build a prestigious city to rival other European capitals such as Paris and Venice. Palaces were designed for prestige and aesthetic beauty in most of Valletta’s streets, and bastion walls fortified the new sixteenth-century city. Casa Rocca Piccola was one of two houses built in Valletta by Admiral Don Pietro la Rocca. It is referenced in maps of the time as “la casa con giardino” meaning, the house with the garden, as normally houses in Valletta were not allowed gardens. Changes were made in the late 18th century to divide the house into two smaller houses. Further changes were made in 1918 and before the second world war an air raid shelters was added. The Casa Rocca Piccola Family Shelter is the second air-raid shelter to be dug in Malta. In 2000 a major restoration project saw the two houses that make up Casa Rocca Piccola reunited.
BUGIBBA SALT PANS Situated on the foreshore of the Bugibba area next to the pier, these salt pans have been known to be here for a very long time. Probably like other sites in the region, a fine layer of sand covered and preserved them in the state they are in, to the 21st Century. The site is a pride of bygone engineering skills, basing it’s unique function on the simple law of gravity. The water flow is directed to different pans, through rock-hewn gutters, and controlled by the use of sluice gates and stone shutters. In other parts, circular channels bring the water level to service other canals that otherwise would be excluded from the system. The workmanship is excellent, particularly when one compares the site to other salt pans around the island. Two large salt-water reservoirs linked the rest by a central canal system furnished the smaller pans with water. Previously there may have been as many as six such reservoirs, some of which have been buried under new development. From the reservoirs, the central channel runs to two different sluice gate systems that service a number of pans, six of them being a uniform square type. A complex circular system of water control connected three of the pans. This system making use of stone shutters and canals, would have served to bring up the water level to the desired level so as to service the other pans further along the system.
Information from: Rural Development for Malta 2007-2013 The European Agricultural Fund for Rural Development Government of Malta Europe Investing in Rural Areas
The Santa Marija Tower on Comino formed part of the early system of towers which the Order set up to facilitate defence and communication between the Ċittadella in Gozo and Mdina. It later became a key location of the system of towers built along the coast. The decision to build this Tower was taken by Grand Master Alof de Wignacourt in 1618, and was financed by the Grand Master himself, by the sale of the brushwood on the island and from the profits made by the resettled farmers. The site chosen was some eighty metres above sea level.
The design of the Tower was square in plan with four corner turrets. The bulk of the Tower is twelve metres high and stands on a plinth some eight metres high. A three metre wide strip was laid along the top surface of the plinth to enable the defenders to move easily to any endangered point. The walls of the Tower are about six metres thick and the four corner turrets are extended perpendicularly and crowned with a battlement top.