Tag Archives: Museum

Għar Dalam Cave and Museum | Birżebbuġa, Malta | September 2014

Għar Dalam’s relevance as a prehistoric site was discovered in the latter half of the 19th Century with a series of excavations unearthing animal bones as well as human remains and artifacts. The Cave is a highly important site for its Palaeontology, archaeology and ecology.

The history of the cave and that of the Islands can be decoded from Għar Dalam’s stratigraphy. The lowermost layers, more than 500,000 years old, contained the fossil bones of dwarf elephants, hippopotami, micro-mammals and birds among other species. This layer is topped by a pebble layer, and on top of it there is the so-called ‘deer’ layer, dated to around 18,000 years ago. The top layer, or ‘cultural layer’, dates less than 10,000 years and holds evidence of the first humans on the Island. It was here that the earliest evidence of human settlement on Malta, some 7,400 years ago, was discovered.

The site consists of a cave, a Victorian style exhibition and a didactic display as well as a garden planted with indigenous plants and trees.

Information from:
Web: http://heritagemalta.org/museums-sites/ghar-dalam/

© Tony Blood - Dwarf Elephant. Għar Dalam Cave, Birżebbuġa, Malta, 23 September 2014

© Tony Blood – Dwarf Elephant. Għar Dalam Cave, Birżebbuġa, Malta, 23 September 2014

© Tony Blood - Victorian Display. Għar Dalam Cave, Birżebbuġa, Malta, 23 September 2014

© Tony Blood – Victorian Display. Għar Dalam Cave, Birżebbuġa, Malta, 23 September 2014

© Tony Blood - Għar Dalam Cave, Birżebbuġa, Malta, 23 September 2014

© Tony Blood – Għar Dalam Cave, Birżebbuġa, Malta, 23 September 2014

Palazzo Parisio | Naxxar, Malta | 26 August 2014

The magnificent walled gardens of the Palazzo Parisio, Naxxar, rank among the finest in Malta and are the only privately-owned gardens open to the public. Here you will find a diamond in the rough – the ideal spot to while away the hours in tranquil contemplation.

Classically Baroque in style, they are a charming mixture of Italian symmetry and Mediterranean colour and perfumes, with seasonal appeal all year round. From the twisting paths through the orange grove, to the flowering trees and unusual shrubs, this is a lush landscape waiting to be explored. Admire the many exotic species including jacaranda and oleander, the borders of jewel-like cinerarias and fragrant freesias, the tall spiky agapanthus, over 65 species of hibiscus, the vast collection of bougainvillea and the profusion of cascading geraniums.

Christiane Ramsay Scicluna, Baroness of Tabria, takes great interest in the upkeep of the gardens, and personally manages their development.

Information from:
Web: http://www.palazzoparisio.com/house-garden

© Tony Blood - Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood – Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood - Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood – Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood - Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood – Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood - Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood – Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood - Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood – Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood - Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood – Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood - Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood – Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood - Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood – Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood - Palazzo Parisio. Naxxar, Malta, 26 August 2014

© Tony Blood – Palazzo Parisio. Naxxar, Malta, 26 August 2014

The National Museum of Archaeology | Valletta, Malta | 25 August 2014

The National Museum of Archaeology displays a significant array of artefacts from the Islands’ unique prehistoric periods, starting with the first arrival of man in 5200 BC, running up to 2500 BC. The first rooms trace man’s early settlement on the Islands up to the temple-building periods using a reconstruction of a rock-cut tomb. The collection includes obsidian cores and the Red Skorba figurines, which are predecessors of the temple period objects and statuary. The main hall is devoted to temple carvings and the collection continues with representations of animals, temple models, and the remarkable human figures. Of particular note are the exquisite figures of the ‘Sleeping Lady’ from the Hypogeum, and the ‘Venus’ of Hagar Qim. The last room exhibits some pottery from the temple period, together with tools, beads and other ornaments.

Information from:
Web: http://www.visitmalta.com/en/info/nationalmuseumofarchaeology

The National Museum of Archaeology is housed in the Auberge de Provence, in Republic Street, Valletta. The building, an example of fine Baroque architecture, was built in 1571 and followed a plan by local architect Ġilormu Cassar. The Auberge de Provence was house to the Knights of the Order of St John originating from Provence, France and displays beautiful architectural features. Of particular note is the Grand Salon, with its richly painted walls and wooden beamed ceiling. The Museum exhibits a spectacular range of artefacts dating back to Malta’s Neolithic period (5000 BC) up to the Phoenician Period (400 BC). On display are the earliest tools used by the prehistoric people to facilitate their daily tasks and representations of animal and human figures; elements which not only show the great artistic skills of the first dwellers of the island but also gives us an insight of their daily lives.

Highlights include the ‘Sleeping Lady’ from the Ħal Saflieni Hypogeum, the ‘Venus of Malta’ from Ħaġar Qim, bronze daggers recovered from the Bronze Age layers at Tarxien Temples, and the Horus and Anubis pendant and the anthropomorphic sarcophagus, both belonging to the Phoenician Period. The Museum provides the visitor with a good introduction to the prehistory and early history of the Maltese Island sand acts as a catalyst to the other archaeological sites in Malta. Works are currently in progress to include another hall dedicated to the Punic period and others dedicated to the Roman and Byzantine periods in Malta.

Information from:
Web: http://heritagemalta.org/museums-sites/national-museum-of-archaeology/

© Tony Blood - The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood – The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood - Jug with floral decoration from Tal-Liedna (Terracotta). The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood – Jug with floral decoration from Tal-Liedna (Terracotta). The National Museum of Archaeology. Valletta Malta, 25 August 2014

The Phoenicians buried their dead in a variety of ways. One of these was to put the corpse inside a coffin. Fashioned in wood, terracotta stone, stone, and marble, coffins consisted of a casket and a lid, and were often shaped like a human figure, a practice that was very popular in pharaonic Egypt. The coffin on display here was found at Għar Barka on the outskirts of Rabat (Malta) in 1797. Lead poured inside the grooves on the side of the coffin was meant to hold the lid firmly in place. In the Phoenician homeland, members of the royal family were buried in similar coffins, often re-using ones brought over from Egypt. They would have inscriptions written on the lids to curse anyone who disturbed their eternal sleep. © Tony Blood - Phoenician Coffin. The National Museum of Archaeology. Valletta Malta, 25 August 2014

The Phoenicians buried their dead in a variety of ways. One of these was to put the corpse inside a coffin. Fashioned in wood, terracotta stone, stone, and marble, coffins consisted of a casket and a lid, and were often shaped like a human figure, a practice that was very popular in pharaonic Egypt. The coffin on display here was found at Għar Barka on the outskirts of Rabat (Malta) in 1797. Lead poured inside the grooves on the side of the coffin was meant to hold the lid firmly in place. In the Phoenician homeland, members of the royal family were buried in similar coffins, often re-using ones brought over from Egypt. They would have inscriptions written on the lids to curse anyone who disturbed their eternal sleep.
© Tony Blood – Phoenician Coffin. The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood - Silver plate with commemorative dedication to Sir Alexander Ball (1757-1809) (Silver). The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood – Silver plate with commemorative dedication to Sir Alexander Ball (1757-1809) (Silver). The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood - Bronze Dagger from Għar Mirdum (Bronze and Bone). The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood – Bronze Dagger from Għar Mirdum (Bronze and Bone). The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood - Sir Temi Zammit's notebook no. 11. The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood – Sir Temi Zammit’s notebook no. 11. The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood - Human Skull from the Ħal Saflieni Hypogeum. The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood – Human Skull from the Ħal Saflieni Hypogeum. The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood - Sleeping Lady from the Ħal Saflieni Hypogeum. The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood – Sleeping Lady from the Ħal Saflieni Hypogeum. The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood - Venus of Malta. The National Museum of Archaeology. Valletta Malta, 25 August 2014

© Tony Blood – Venus of Malta. The National Museum of Archaeology. Valletta Malta, 25 August 2014

Ħagar Qim Temples | Qrendi, Malta | 20 August 2014

The temple of Hagar Qim (c. 3600 – 3200 BC) stands on a hilltop overlooking the sea and the islet of Filfla. The temple itself consists of a single temple unit, although it is not clear if it was originally constructed as a four or five-apse structure.

Other temple ruins stand a few metres away from the main temple and the forecourt and facade follow the pattern typical of temples across the Islands. Particularly noteworthy are the larger orthostats at the corners, which are notched to take the second of the horizontal courses above.

Various items of interest have been unearthed at Hagar Qim, notably a decorated pillar altar, two table-altars and some of the ‘fat lady’ statues on display in the National Museum of Archaeology.

Information from:
Web: http://www.visitmalta.com/en/info/hagarqim

© Tony Blood - Entrance to Ħagar Qim Temples. Qrendi, Malta, 20 August 2014

© Tony Blood – Entrance to Ħagar Qim Temples. Qrendi, Malta, 20 August 2014

© Tony Blood - Table Alter, Ħagar Qim Temples. Qrendi, Malta, 20 August 2014

© Tony Blood – Table Alter, Ħagar Qim Temples. Qrendi, Malta, 20 August 2014

© Tony Blood - Ħagar Qim Temples. Qrendi, Malta, 20 August 2014

© Tony Blood – Ħagar Qim Temples. Qrendi, Malta, 20 August 2014